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Worpswede - Das Künstlerdorf.
Das Film macht die Symbiose aus Natur und Kultur, aus dörflichen Leben und Künstlerdasein deutlich.

Worpsweder Verlag - Gemeinschaftsproduktion Team TV und Film, Bremen 1996 (2001).
 
On Tanagra figurines.
Read me on tumblr:
https://www.tumblr.com/claudiaciardiautrice

 
Andrea della Robbia - Fanciullo.

Paula Modersohn-Becker amava l'arte italiana quattrocentesca e rinascimentale al cui studio si dedicò fin dagli albori della sua formazione. Valga come testimonianza la lettera da Parigi ai genitori del 4 gennaio 1900.
 
Periodico irreverentes // Museo irreverentes per Paula Modersohn-Becker (agosto 2023).
Source: tumblr



 
 
Birch Tree in a Landscape, Paula Modersohn-Becker, 1899.
Early days in Worpswede. The magic of nature guiding a creative path. A message of peace and reconciliation with the world.
Primi tempi a Worpswede. La magia della natura che guida un percorso creativo. Un messaggio di pace e riconciliazione col mondo.

 
On «Art Journal» and other reviews

Das Bildnis des Dichters: Paula Becker-Modersohn und Rainer Maria Rilke by Heinrich Wigand Petzet
Review by: Renée Lang
«Books Abroad», Vol. 33, No. 3 (Summer, 1959), p. 317

An Old Peasant Woman Praying by Paula Modersohn-Becker
Elizabeth H. Payne
«Bulletin of the Detroit Institute of Arts», Vol. 39, No. 1 (1959-1960), pp. 20-21

Paula Modersohn-Becker: Some Facts and Legends
Ellen C. Oppler
«Art Journal», Vol. 35, No. 4 (Summer, 1976), pp. 364-369

The Letters and Journals of Paula Modersohn-Becker by J. Diane Radycki, Paula Modersohn-Becker
Review by: Michelle Cliff
«Signs», Vol. 7, No. 4 (Summer, 1982), pp. 917-919

Paula Modersohn-Becker by Jane Kallir
Ellen C. Oppler
«Woman's Art Journal», Vol. 5, No. 2 (Autumn, 1984 - Winter, 1985), p. 48

Sketch of Paula Modersohn-Becker Dying after Childbirth
Sharon Dolin
«The Threepenny Review», No. 35 (Autumn, 1988), p. 11

"Infant nursing", Scketch by Paula Modersohn-Becker
Sue Cowing
«The Virginia Quarterly Review», Vol. 65, No. 4 (Autumn, 1989), p. 657

Paula Modersohn-Becker and the Fictions of Artistic Self-Representation
Sara Friedrichsmeyer
«German Studies Review», Vol. 14, No. 3 (Oct., 1991), pp. 489-510

"A Great Simplicity of Form": Two Works by Paula Modersohn-Becker
MaryAnn Wilkinson
«Bulletin of the Detroit Institute of Arts», Vol. 80, No. 1/2, Graphic Arts (2006), pp. 28-35

Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker's Productivity
Anne Higonnet
«Woman's Art Journal», Vol. 30, No. 2 (Fall/Winter 2009), pp. 15-21

Paula Modersohn-Becker and the Body in Art
Rainer Stamm
«Woman's Art Journal», Vol. 30, No. 2 (Fall/Winter 2009), pp. 22-24

Helen Serger's Galerie La Boetie: Paula Modersohn Becker on Madison Avenue
Monica J. Strauss
«Woman's Art Journal», Vol. 30, No. 2 (Fall/Winter 2009), pp. 32-35

Paula Modersohn-Becker by Averil King
Review by: Christiane Hertel
«Woman's Art Journal», Vol. 31, No. 2 (Fall/Winter 2010), pp. 59-61

Paula Modersohn-Becker: The First Modern Woman Artist by Diane Radycki
Review by: Jennifer Griffiths
«Woman's Art Journal», Vol. 35, No. 1 (Spring/Summer 2014), pp. 61-62

Découvrir Paula Modersohn-Becker
Eryck de Rubercy
«Revue des Deux Mondes» (Mai 2016), pp. 163-166

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Die Böttcherstrasse in Bremen by Manfred Hausmann;
Das Paula-Becker-Modersohn Haus in der Böttcherstrasse by Walther Mueller-Wulckow;
Katalog der Paula Becker-Modersohn Sammlung by Walther Mueller-Wulckow;
Paula Modersohn-Becker by Konrad Tegtmeier
Review by: Arnold Rönnebeck
«Books Abroad», Vol. 4, No. 1 (Jan., 1930), pp. 70-71

Worpswede per Paula Modersohn-Becker.
Festa delle donne // Weltfrauentag, 8 marzo 2023.